Friday, 18 June 2010

Shropshire round up

We packed quite a lot into the 10 days we were in Shropshire and are hoping to return to visit all the places we didn’t see.

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One day we drove up Long Mynd. I took no photos on the way up as it was not possible to stop. We drove up a narrow lane which is not maintained in winter. First gear all the way up, a terrifying drop inches from my window, hoping we would not meet anyone coming down!  The views from the top were glorious. We drove down the less steep road to Church Stretton.  More views on Picasa.

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Last summer, Tara sent me a small glass with ‘Pray for me, my husband collects trains’ on the side. I’m not sure if I should fill it with whisky or put a votive candle in it.  Either way, it made me laugh and I know she understands – like father, like son!

Alan visited Bridgenorth to see the station on the Severn Valley Railway and I stayed at the caravan with Mac.  A few of his 142 pictures are on Picasa.  They weren’t all of the railway!

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We visited Sunnycroft, a small National Trust property with David and Shirley.  We were there to see some of the Leek Embroidery – not embroidery with leeks as one friend willfully misunderstood it – but embroidery by the Ladies of the Leek Embroidery Society. There wasn’t as much of it on display as we hoped but the house was interesting. I’m afraid they didn’t allow photos in the house although we had understood that all National Trust properties do now.

Shirley’s great grandmother was a member of the Leek Embroidery Society so there was a family interest in the visit. Sunnycroft’s last owner, Joan Lander, worked on the embroidery of the Queen’s Purple Robe of Velvet at the 1953 coronation. She also ran a business from the house, selling embroidery kits and, by another of those strange coincidences, I remember seeing them in Libertys and Selfridges in London and being a bit snooty about the idea of using a kit! 

‘Britain’s Bayeux Tapestry’ was worked by the ladies of the Leek Embroidery Society. It is an accurate copy, except for the fact that all male genitals are missing – even those of the stallions!  It is on display in Reading Museum and is on our list of ‘must visit’ places. The best site I have found with an account of the work is here.  Illustrations of the Tapestry can be seen at the Reading Museum site.

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